Browsing by Title
Now showing items 1-20 of 438
-
3×4: a telematic/architectural hypersurface
In her 2004 publication ‘Virtual Theatres’ Gabriella Giannachi wrote on the processes of doubling presence in interactive artworks, from liquid architecture to telematic performance, where the physical and virtual realms ... -
A Brief (Media) History of the Indigenous Future
Indigenous people have been subject to willful misrepresentation via Western media technologies since the first written accounts returned to Europe from the conquistadores and colonists in the 15th century. Paul Kane used ... -
A Genealogy of Art and Technology in Colombia: 1976-2016
The decade of the seventies saw the beginning of Avant-garde experiments in videoart that paved the way for the establishment of Colombia as one of the epicenters of the experimentation around the subjects of art and ... -
A Guide to Post-photographic Territories in the Internet and Gallery (catalogue)
(3xposition.lt and MENE, 2006-10)The catalogue of exhibition "[email protected]: post-photographical condition in contemporary art" (showed in 2006 in Vilnius, Lithuania) contains one text on the exhibition and its context in Lithuania as well as all ... -
A History of Art in a Science Museum
When the Exploratorium opened in 1969, its founder Frank Oppenheimer challenged the worlds of formal and informal education with a new kind of public learning center. Knowing the power of personal discovery - individual ... -
A New Performativity: Wearables and Body-Devices
In their relatively short history, wearables and body-devices have evolved from cyborg-like extensions and utilitarian solutions aimed at enhancing efficiency, to poetic representations and experiences that give form to ... -
A plan for reproduction of stage equipments of Dumb type’s performance “pH”
I’m planning to reproduce stage equipment of performance “pH”. The performance was made around 1990. It was shown all over the world in the period of 1990~95. From the view point of Media Archeology, there are so many ... -
A scholar's crux: Methods of documentation through the lens of archive theory
Since the Archive of Digital Art (ADA) was founded in 1999, several methods of documentation were developed on this database for the conservation and presentation of media art. This research on archival strategies was ... -
A System of Formal Notation for Scoring Works of Digital and Variable Media Art
(2005-10)This talk proposes a new approach to conceptualizing digital and media art forms. This theoretical approach will be explored through issues raised in the process of creating a formal declarative model for digital and media ... -
A-Life: the creation and development of new modes of realism
This paper considers art and Artificial Life vis-à-vis the development and creation of new modes of realism. A brief sketch of the current conditions that underpin much in Artificial Life provides an alternative framework ... -
Abandon Normal Devices – they don’t seem to work
This institutional presentation of recent FACT programs including Human Futures. Climate for Change and Abandon Normal Devices (AND Festival), new forms of Cultural Leadership will be explored. This will also be an opportunity ... -
Aesthetics of Resolution
The presentation will focus on what Gerald Nestler calls an „Aesthetics of Resolution.“ This conceptual approach is based on the following characteristics: a post-disciplinary approach to conception and practice in which ... -
African Digital Imaginaries
(2007-11)In an environment where popular media forms are traveling across borders and cultures, Africa is often regarded as a colonized space, flooded with foreign media products that are eroding traditional values. However, taking ... -
After Brunelleschi, after Alberti…
(2004) -
After Brunelleschi, after Alberti…
(2004) -
After Internet? F.A.T. Lab’s farewell and reconsiderations of the post-internet trope in art
In August 2015, F.A.T. Lab art collective announced their shut down after eight years of activity, claiming that the cause of the internet, of ensuring its potential as a liberating medium, had been rendered futile. Its ... -
Algorithmic Signs, Venice 2017: challenges in the curation and documentation of early computational and media art
The canon of 20th century art has been expanded over the past few decades to include neglected artists and genres. Media art, however, has largely remained outside of this “circle”. This presentation will explore how art ... -
Alternative Histories of New Media: Telecommunication Technologies and Media Arts in the Middle East
There has been a growing interest in alternative histories for new media imagery in the Middle East, especially after the so-called Arab Spring, in order to critically assess what new media has brought to the region. As ...